Prostitutes, Violette and Madame Briquet, dwell on the horrific demise of Madame Dubois. Méténier’s ploy in setting them up as targets of the killer, Jack. This, in turn, drags the audience into feeling simultaneously titillated and at risk themselves. The horrors of the Grand-Guignol consistently manipulate the audience’s anxiety about their own vulnerability. The cathartic experience of watching something terrible happen to someone else is always tempered by the fact that ‘next time it could happen to you’.